Working since 2001, Arika is a political arts organisation concerned with supporting connections between artistic production and social change.
PRESENT
We think of art as a relationship that constantly unfolds in the realm of the common, a process and a continuum. We see our role in this unfolding relationship as celebrating and supporting connections between art and social change. When we say art, we mean the ways we sing and dance together, the ways we listen and want to be heard, how we look and hope to be seen, how we think of our bodies and how we move through space, how we feel and want to be felt, for example.
We currently do this through a programme of public events called Episodes comprising performances, discussions, screenings and collective learning. Developing iteratively, each informing the next, they often involve watching, listening, talking or dancing together. They are a continuation, through friendship and solidarity, of conversations we are entangled in both locally and internationally. Especially, Episodes are committed to experiments in a sociality that goes beyond personhood and that propose new ways of living in the world today, born of collective desires and struggle. More on them here.
We are also trying to practice being accomplices with specific UK based activist and political communities who we have long-term relationships with, supporting their specific struggles.
We do our best to act in solidarity with local groups whose ideas, experiences and struggles we feel especially connected to, recognising how critical the resistance of these groups is. We co-operate closely with specific groups who are pushing back against the violence of racist borders, poverty and criminalisation of sex work; taking their lead on projects and events they want to see happen. Each activity is suggested and decided upon by the community then managed by them with Arika’s collaborative support. A few of those events are open to a wide public, like parts of the Sex Workers’ Festival of Resistance and the How to Ally with Sex Workers on Decriminalisation of Sex Work events. However, most are specifically with smaller more discrete groups and are not broadly publicised. Other events we organise, such as the Episodes, are directly nourished and informed by the multiple insights these smaller projects generate. More about Local Organising here.
Arika is inspired and galvanized to do this work by many predecessors: artists, organisers, witches, anarchists, students, educators, heretics, activists, militants, mothers, children, as well as those who make trouble in between and at the peripheries of these and other categories. We hope in our work to pay tribute to these histories, and carry on the belief that radical forms of resistance can find crucial support in the aesthetic registers of social life.
AGENCY
PAST
Archive
Since 2011 we’ve been working to bring documentation of our past work into the public domain through our website. On this site you can access an extensive archive of video and audio recordings of experimental music, art work, discussions, films and performances.
If you, or an organisation you are a part of would like to enquire about our archive, or propose a conversation around particular documents, artists or themes, please contact us at info@arika.org.uk
If you wish to know more generally, to become involved in some of Arika’s activities, or to offer feedback, please contact us at the above email address.
Past Projects
At last count we’ve organised over 1,200 events attended by at least 142,000 people and featuring about 1,350 artists, filmmakers, performers, dancers, musicians, philosophers, activists, community organisers, academics, and writers.
Our projects have been delivered in collaboration with many partners and venues such as concert halls, community spaces, major international museums and biennials, cinemas, art centres, roadsides, an IMAX, stone circles, pubs, under bridges, and once in an underground fuel storage tank.
Partner institutions have included Tramway (Glasgow), Dundee Contemporary Arts (Dundee), The Arches (Glasgow), The Whitney Museum of American Art (New York), MoMA PS1 (New York), Performance Space New York, CCA (Glasgow), Sage Gateshead, Institute of Contemporary Arts (London), British Film Institute, Never Come Ashore, Art Angel (Dundee) and PAN.
Events we’ve programmed in the past include the festivals INSTAL, Kill Your Timid Notion and Music Lover’s Field Companion, and the Shadowed Spaces and Resonant Spaces tours. We’ve worked on long term community projects with Ultra-red, SWARM (Sex Worker Advocacy and Resistance Movement), Arbert Santana Ballroom Freedom and Free School and presented a week long programme of events as part of the 2012 Whitney Biennial entitled A Survey is a Process of Listening. More about these and other events in our Archive.
We are a not-for-profit Community Interest Company.
The current team at Arika is made up of two permanent full-time employees, two permanent part-time employees, two temporary part-time employees and a whole host of amazing freelance project workers and artists depending on what we're working on. We use union advised rates of pay and do not employ volunteers.
Our current employees are:
Bryony McIntyre (currently a 2021 Clore Fellow)
Barry Esson
Elio Beale
Emma Macleod
Cloudberry McLean
Joanna Helfer
Folk who have spent time working on Arika projects include (but are not limited to): Agnieszka Habraschka, Alaya Ang, Alex Fleming, Alex McNutt, Alex Woodward, Alice Black, Andrew Houston, Anna Pearce, Ash Reid, Avalon Hernandez, Ben Kamps, Chris Dennis, Chris Nelms, Dan Adams, Darri Donnelly, Duncan McCormick, Emilia Muller-Ginorio, Emily Roff, Erin McElhinney, Gallia Young, Glen Thomson, Jack Wrigley, James Hindle, Jana Robert, Jason Brogan, Jim Hutcheson, Jo Shaw, Jon Clarke, Jonathan Anderson, Kamal Ackerie, Kenny Macleod, Lesley Young, Laura Cameron Lewis, Matt Lloyd, Mike Donnelly, Neil Davidson, Nick Miller, Nosheen Khwaja, Ruari Cormack, Ruth Marsh, Saerlaith Robyn O'Dwyer, Tourmaline and Yihang Hu
Arika is a Japanese word, which a friend of ours [1] thought could give a name to our activities. We have heard many translations of it - ‘a secret hiding place’, ‘the location of all things’. But the one we like the best is – ‘a place where maybe you might find the thing you desire [2]
[1] The musician Keiji Haino.
[2] This translation was given to us by the musician Taku Unami.
FUNDERS
Arika is currently supported by: 
PARTNERS & MEMBERSHIPS
We are recognised as an NGO Equivalent in the US, supported by NGO Source
Arika are a PiPA (Parents and Carers in Performing Arts) Charter Partner, striving towards creating a more family friendly working environment.
PiPA campaigns to enable and empower parents, carers and employers to achieve sustainable change in attitudes and practices in order to attract, support and retain a more diverse and flexible workforce. Arika are always happy to discuss solutions with all our employees, freelance staff and participating artists that allow people to balance their caring responsibilities with their working lives.
